Showing posts with label chickpete. Show all posts
Showing posts with label chickpete. Show all posts

Thursday, April 11, 2013

Trade and Commerce in Bangalore District

A few days ago, I was going through the ‘Bangalore District Gazetteer’. The 'oldness' and the 'dustiness' of the Gazetteer just seemed to add to the authenticity of a "gazetteer". The stories were mostly likeable bringing in a sense of wonder and revealing a past that I did not know. I looked for “markets” and “bazaars” on its index page. Sharing here some excerpts from it – the ones that I found most interesting were the ones with names of localities in the city that we know today but are so completely transformed from the “old days”, for instance, it talks of Sarjapur as being “noted for Muslin cloth” and so on. So, here we go…

a Betel nut shop in Mysore, 2010

“Bangalore grew in importance after its development by the Kempegowda family who made it their capital by strengthening it with a fort and providing for various streets meant for the craftsmen and various groups of traders. Chikkadevaraj Wodeyar of Mysore (1672-1704) after getting Bangalore as ‘jahgir’ from Mughals encouraged trading activity by introducing uniform weights and measures and postal services for the first time. By then, separate markets were built for different trades viz. Aralepete for weavers and sari merchants, Akkipete for rice merchants, Nagarthapete for goldsmiths, Doddapete for wholesale, Chickpete for retail, etc.”

“The travel account of Buchanan who visited Bangalore in 1800 gives an exhaustive account of trading and commercial activities of Bangalore. According to him, apart from Bangalore, neighbouring villages like Agara, Halasur, Hesaraghatta, Varthur and Kengeri were centres of brisk wholesale trade. Sarjapur near Anekal was noted for Muslin cloth. Saries manufactured at Aralepete were famous throughout the State and were exported to far off places like Mangalore, Bellary, Bombay and other places near sea ports.”

“From other sources (a missionary’s chronicle) it is learnt that in the days of Haider and Tipu, in addition to salt, sulphur, indigo, tamarind, caustic soda, alum, zinc, lac, wax, gum and arsenic were brought from Madras. Flower and betel leaves came from Attibele. Betel leaves also came from Mysore and Harihar. Indigo came from Anekal and Bommasandra, kamblis (country blankets) from Kamblipura in Anekal taluk. Salem and Pondicherry had regular trade connections with Bangalore during 18th century. Tanjore merchants sold pearls in Bangalore and took back cash.”

“During the period of Bowring (1862-67) important roads connecting Bangalore with Kadur, Hassan, Hoskote, Kadapa, Hosur and Bellary were constructed, railway links were established with Madras (1864) with Channapatna (1881) with Tumkur (1884) and finally connecting with Bombay promoting rail-road traffic of goods and passengers.”

“During 1934-35 sandalwood oil from Bangalore was exported to London, Japan and Australia. By 1934-35, the local tobacco co. (Tobacco Manufacturers India) used to export cigars valued at Rs. 1 ½ crores to Bombay, Calcutta and Delhi. A record of 1940 reveals that cattle shows were held at Bangalore and this was usually at Sampangi tank. Conducting annual market shows was a regular feature, where exhibits of good products were appreciated and rewarded. Mutton shows were organized in January every year, at the Russell market.”

Now, a bit of the curiosity is satiated but some other questions… “tanjore merchants sold pearls in Bangalore and took back cash” what is the pearl trade like now??! Or “cattle shows at Sampangi tank” – would someone still have pictures of that??!

Reference: Kamath, Suryakant. Bangalore District: Karnataka State Gazetteer, Gazetteer of India, Government of Karnataka, 1990

Friday, December 07, 2012

Udupi Sri Krishna Bhavan

I had been walking in Chickpete for some time now. It was nearing lunch time and I had unknowingly started to read the nameboards at just above the normal line of vision, looking for a place to eat. It had to be the usual – reasonably clean but with old-world charm. That’s what one looked for in a bazaar precinct.

I wasn’t going to eat in a spotlessly clean, new type restaurant. Saw a ‘Gokul Lodge’. It seemed old alright, but old AND neglected. It was dark in there and not so clean-looking. I thought I wasn’t going to find my place today. Anyways, I kept walking. The purpose was just that, to walk the chickpete area of old Bangalore with its large expanse of market activity – an area originating from the time the city began, being one of the two main nuclei in Bangalore, the other one being the Cantonment area.

As I walked further, I saw this board Udupi Sri Krishna Bhavan. The name was familiar of course. There was one at Malleswaram, another of the old Bangalore localities, a restaurant we had often frequented. It had the nicest neer dosa (with coconut milk). This had to be the same. It would be good.

Going into the restaurant, I found that here time had moved so much slower than on the street just outside it or on the many streets amidst which it was nestled. The place was quiet, not so many people about. I was early for lunch perhaps. I picked a table so I could see the restaurant and its entrance the way I felt like, with plenty of space in front of me, a bit of the light from the street coming in and the lights inside just enough so as to not drown out the natural light.

I ordered the food and waited, as I looked around me. It was better than I had expected. It actually had rosewood tables and chairs. The table top had been changed to a smooth, black granite top and the chair seats had a white, worn-out laminate, where probably canework had once been.

In front of me, I saw a brass nameplate that said ‘Special room’. This was the typical Family room that restaurants of old had always had. It had a five foot high wooden partition, partly glass. You had your privacy and yet were not too separated from the others. The flooring was the old checkerboard pattern – black and white marble squares. It had been a while since I last saw that. The washbasins located on a side wall of this large hall space had mirrors with teakwood frames.

The ceilings were high and supported by I-beams and I-sections. Just above the serving counter, where the menu was written in large bold letters were large photo-frames. There was one set of pictures of deities – the Raja Ravi Varma prints and another set a little away, of the founders of the hotel, these in black and white.

It had been a discovery, this Udupi Sri Krishna Bhavan. There weren’t so many in the city anymore. It was like going into a time machine. After I had eaten my dosa and had my coffee, I got up to leave, knowing that I could come back into this art deco time machine anytime I wanted to and they even served you the finest filter coffee, as you traced the city back in time!